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The Woman Who Knew My House CHAPTER 14

Chapter 14 — Notary

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MAKE YOURSELF HEARD

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He had slept in the back bedroom, on a daybed five feet eight inches long, which he was not, badly and late, on his right side, facing the window, until the light was gray enough to show the slats of the blind, and Mara standing at the foot of the daybed.

He had settled one thing in the dark after she went up, with the warmth of her hand going off the blotter. The first page under the seat of the truck would stay where it was.

She was dressed, in her coat with her boots laced, as if she had been on her way out and had thought of one more thing. She stood with her weight on both feet and her hands out of her pockets.

"There was something else in the box." She held her hands apart, a little more than three inches one way and a little more than five the other. "About so big. It wasn't there when I opened it."

He looked at the space between her hands, which was exact.

"My father's notebook."

"Where?"

"Under the seat of the truck."

"Is A in it?"

"Yes."

She let her hands down to her sides.

"I'm not going to take it out of your truck," she said. "I want you to hand it to me."

"Not yet."

"Yet," Mara said, as she would have read a figure off a gauge.

Then she went out. He heard the front door, and by the time he had got as far as the hall she was standing in the wet front yard among the teddy bears the families had left along the walk, her hands at her sides, not touching any of them, with her back to the drive and the garage at the end of it, where the truck stood unlocked as it always stood, until the cold drove her in.


Nora insisted on Linden House. She said so at breakfast, over pancakes that only she ate, in the voice of a woman proposing something pleasant for everybody. She had sat beside Lee for an hour at Gordon's funeral while he held her hand, and she would not drive six hours and then not go. Mara said she had work to do and went upstairs, and Evan drove.

They had gone a mile before Nora said, without turning her head from the window, "Did you hear what Tasha Rourke said to her?"

"I was on the porch."

"Of course you were."

"She said my father got it out of her. In one night."

"Tasha Rourke was four years old, sweetheart." She watched the closed hardware store go by. "Your father was very good with frightened children. Everyone said so." Then, as if it followed: "Mara's not herself. She gets like this before she's going to be ill. When she was twelve she went nine days without a full sentence, and then she had mononucleosis."

He said nothing, since she had not asked him anything, and drove with both hands on the wheel.

Wendell was at the desk, because Bev did not work Sundays, and he walked them down the east wing himself. Evan's father sat by the window in a gray cardigan that somebody else had buttoned. Outside, the oak dropped its leaves onto the parking lot one at a time and without hurry.

"Dad. Nora's come to see you."

His father turned his head and gave her the look he had once given witnesses he was prepared to be patient with. It took in the silver hair, the coat, the paper bag of cookies held in both hands.

"Ma'am."

"Lee. It's Nora."

"Ma'am, you'll have to wait outside." He said it kindly, in the voice of a man who had said it to a thousand people who wished to stay.

Evan watched her face go still and then go pleasant, all in one motion. His father leaned toward him and asked, "Is she from the church?" and before Evan could speak Nora answered, "Something like that, Lee," and drew the second chair up beside his and sat and took his hand, which he allowed, as a man allows a stranger to hold his hand in a corridor. She talked to him about the fellowship-hall potluck and the new organ, and he looked at the oak and now and then said "Yes" to the window, and after twenty minutes his eyes closed.

Nora stood. Her knees did not trouble her. She went to the nightstand and took up the Bible, and held it closed against her chest in both hands, as she might have held a hymnal, and set it down again.

"He always had this with him," she said, and picked up her purse.

On the drive back she wore her sunglasses under a sky the color of dishwater. Somewhere past the water tower she said, "He held my hand for an hour at Gordon's funeral," and he said, "I know," and that was all.


Mara left for Mercer at 7:40 on Monday with her kit bag and without a word to him. She said goodbye to Nora at the door in her ordinary voice, and the ordinary voice was worse.

Marian Toft arrived at 9:41, seventy years old, in a quilted jacket the color of oatmeal, pulling a wheeled case that she opened on the kitchen table like a tackle box: a stamp, an embosser, a journal bound in green cloth. She did mobile work for hospices and estate closings, she said, and had learned not to read what she stamped.

Nora had laid a clean dish towel over the middle of the table, as if a surgeon were expected. Evan had put on his good jacket that morning without deciding to. He had wiped the table at nine.

She set the deed on the towel. It was his own draft, printed from the file he had emailed her on the sixth, its signature line blank and the notary's block beneath it waiting for a county. It was a good deed: the grantee named as Nora K. Frain, Trustee of the Frain Family Trust, the severance of the joint tenancy clean as a cut. Had it come across the Recorder's counter he would have passed it on the first read.

"Just sign, sweetheart." Nora laid a blue pen across the top of the page. "It's a kindness to everyone. The funds are at Ellsworth Savings and they wire the minute it records. Your father is looked after through the spring and past it, and you're free of the whole business." She smiled at Marian Toft, who was reading the ceiling. "She'll be angry for a week. She'll be angry with me, not with you. I'll see to that."

He read the sentence as he would have read a clause, for what it conveyed and to whom. It was built like his own. A thing done for a person's good could be done around her, provided somebody else stood where the anger would fall, and he had been standing in that place for three weeks.

"No," he said.

It was not a loud word. Marian Toft brought her eyes down from the ceiling and began, without hurry, to close the journal.

He drew the deed out from under the pen, which rolled to the edge of the towel and stopped there. He folded the page once across the signature line and set the crease with his thumb, as he would have creased a deed he was returning for want of a proper acknowledgment, and put it into the inside pocket of his good jacket.

"Evan."

"I'm not going to sign it, Nora."

"You drafted it."

"I draft what I'm asked to. It's what I do."

For as long as it takes to read a line her face did nothing at all. Then it closed, briefly and entirely, like a door on a lit room, and the warmth came back so fast that it was hard to say it had gone.

"Of course. Of course, sweetheart. It's too soon, and I'm a bulldozer, Mara says so." She turned to the notary with her hands open. "Marian, I've wasted your morning." She wrote a check for the full fee and added twenty dollars.

Evan carried the case out to her car, and she tipped her head at him across its roof. "Happens more than you'd think," she said, in the voice of someone describing the weather.

When he came back in, Nora was rinsing a cup at the sink with her back to him. The blue pen still lay on the towel where it had rolled, and neither of them picked it up.


At five he was on the front steps when the door across the street opened. He had planned nothing since Saturday, and it turned out that a man who has planned nothing walks across a street quite easily. The woman came down the outside stair with the camera, stood at Agnes Kettering's porch rail and took the curb. He was at the foot of the walk before she lowered it. She saw him coming and went on writing in the green pad until she had finished the line.

"Mr. Dunmore."

"Ms. Teague. I'm Evan."

She was smaller than she looked from the window, and older, and she did not offer her hand.

"I know who you are. You have his mouth." She put the pad in the camera bag. "You can come up or you can stay there. The step's dry."

He sat on the third step. After a moment she came down the porch and sat on the fourth, a stride of boards away, her back very straight, her glasses on their cord.

"You've been reading to my father."

"Tuesdays, since last October. Trollope, mostly. He asked for me, and you've seen the form."

"I've seen it. Your name is in a round hand that isn't his. Only the signature is his, and the date."

"They write for the ones whose hands shake." She looked out at the street. "I told myself it wasn't a breach, because I never said a word about the case to him. You were at the glass. You saw what I do when he says the little door."

"You closed the book."

"I've kept my word."

He had a private catalogue of what his father could mean by that phrase. It had been one entry long, a plank door in a cellar, until the Thursday Mara put him on his knees at the baseboard. Since the Sunday after it had held a third, in his father's own pencil, under the seat of his truck. He did not offer her any of it.

"I had you barred," he said. "Two weeks ago Tuesday."

"Wendell asked for my sticker in the middle of the archdeacon, and I gave it to him. It was fair." The corner of her mouth moved. "I've been barred from better places, Mr. Dunmore, by better men. Not many by the son."

"The note was meant for my wife."

"Yes. Because you'd have thrown it away."

He did not answer. It was accurate. Across the street the maple in his own drive had gone the red of a stop sign, and someone had tied a bear to his porch rail by the neck with yarn.

"She stood on these steps on Saturday," Vera said, "with her back to my window." She let that lie. "I didn't tell her. Tasha Rourke did. I've kept that promise too."

"I know you did."

Then, in another voice, level and unhurried, she said, "Do you want to know what he said to me?"

"Yes."

"The seventeenth of October. Twelve o'clock, a room on the second floor of the Sheriff's building, a blue plastic chair and no window. They came for me at twenty to seven, and I hadn't eaten since the night before. He came in with a ham sandwich on wax paper, and he cut it in half with his pocketknife and pushed half across the table with a paper cup of coffee out of his own thermos, and told me to eat." Her hands lay quiet in her lap. "I ate it. I have never forgiven myself for how good it was. He asked me questions for an hour and a half and wrote down every answer in pencil. At the end he closed the notebook and looked at me, and he said, 'I believe them, Vera. I've got a boy.'"

Evan had been eleven. Two days later he had sat in the county truck with a library book and a carton of chocolate milk, and heard a saw start at twenty past nine.

"He wasn't lying," Vera said. "That was the trouble. I could have stood him lying."

Evan sat with his hands between his knees.

"I've come to ask you for something. Everything you have against him. Every civil claim, now and after, released in writing."

"Yes."

He had a speech. He had built it on the drive back from Linden House, and it began with the money, and it was arranged in the order of what she could be made to see. "You haven't heard the terms."

"You haven't got any. If you had, you'd have brought a pen." She turned her head, and for the first time the teacher's face let him see something under it, dry and very tired. "I never wanted his money. I want the word from a court, and I want it before the twenty-third. Bring Frances the paper and I'll sign it in the morning."

"You don't want to ask what I'll do?"

"I know what you'll do. You'll do whatever it is that you do." She stood and gathered the camera bag and looked down at him from the porch, level and not unkind. "Will you sign?"

"I don't know."

"Good," said Vera Teague, and went up the outside stair.

He sat until the porch light came on behind him. The game show ended in applause.

Late that night, at his own kitchen table with the house quiet over his head, he looked at Nora's blue pen where it had rolled, and did not move it.


At 8:35 on Tuesday, at his desk at Cardinal Title with a survey held flat by a stapler and a coffee mug, he called Frances Liddell's direct line, and she answered on the first ring, as if she had been standing over it.

"I spoke to your client last night. On Mrs. Kettering's steps. I'd rather you heard it from me."

There was a silence in which he could hear paper. "Mr. Dunmore, Ms. Teague is represented, and you aren't a party, and I'd like very much to understand—"

"She spoke to me. I asked her a question, and she said yes." He gave her the question and the answer. Then, since he had found in the last twenty-four hours that it was easier to say a thing all at once, he gave her the reading hours: Tuesdays since October, the form, and the fact that he had had her barred.

The silence was longer this time.

"A year," Frances said, very quietly. "A year my client has been in a room with the one witness in this case the Clinic was never allowed to depose. Do you know what Colin Pardee would have made of that? Petitioner worked on the witness. That could have sunk her." A page turned, hard. "Barred. Good. God."

"I'm sorry."

"I don't need you to be sorry. I needed you to have told me in September." She drew a breath. When she spoke again she had put something away. "She called me at nine last night and said it in two sentences. Here is what I'm going to do. She's waiving all of it, unconditionally, and I'm disclosing it to the court."

"Then it's a trade. This is what my signature is worth."

"It is not a trade, and I'll say so to Mr. Pardee before he says it to me. It buys consent to enter. It doesn't buy a word of your testimony. Do you understand the difference?"

"Yes."

"Friday at five, Mr. Dunmore."

At a quarter past two the receptionist rang his desk to say that a young man was in the lobby, in a Clinic lanyard and a coat too big for him, with a long white envelope he had been told to put in Evan's hand and no one else's. Evan signed the receipt where the young man's finger showed him and wrote the time beside his name: 2:15 p.m.

He read it standing up in the lobby. It was one page, and Frances had written it as she wrote everything, to leave no room. It required the preservation of all papers of Leland Dunmore relating to the 1996 investigation, wherever kept and in whatever form. It warned him of the consequences of destruction in three sentences that grew shorter as they went.

All papers. He read the two words again.

He was the son who had been handed a box in June and told not to let anyone else have it.

Back at his desk he looked at the survey, at the place where the easement should have been. It was not there.


At 5:41 he turned into the drive and cut the engine.

The maple had dropped another layer, and the light on the porch was the low flat orange that comes at the end of October and makes every wooden thing look preserved. The bears were still tied along the rail.

He did not get out. The letter lay on the dash, face up, its maroon corner catching the light. His right hand had gone down beside the seat and under it and found the notebook, three inches by five, its cover gone soft, and lay on it as on a sleeping dog.

He looked up through the windshield.

Nora sat on the porch in a kitchen chair she had carried out for herself, in the camel coat, with a mug in both hands. She had been sitting there some time, from the look of the steam, and she was looking at the truck.

She lifted the mug an inch.

End of chapter 14