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I Was Sure It Was Him CHAPTER 03

Chapter 3 — Where the Man Stood

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Chapter 3 — Where the Man Stood

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I took a picture of the note on the hood of the truck, under the streetlight, with my thumb holding the corner down so the wind wouldn't flip it. Then I took another one, because my hand had shaken in the first. Then I went inside and locked the door and stood in the kitchen with my coat still on and called Kovach.

It was nine-fifty. She answered on the second ring with her mouth full.

"He was at my house," I said. "He left a note on my truck. He knows where I live."

I read it to her. There was a crunch on her end, and then nothing for a second.

"Okay," she said. "Send me the picture. Did you see him?"

"No."

"Did anybody?"

"I don't know. It's my street. Nobody sees anything on my street."

"Look. A note's a note, hon. It doesn't say he'll hurt you. It says he'll be someplace." She swallowed. "I'll have a car roll your street at midnight, and again after. That I can do. I can't make him stay home. Nell? Don't go."

"I'm not going."

"Good," she said. "Lock up."

I was already looking at the clock on the stove.

\ \ \*

At eleven-fifteen I woke Owen up and put his coat on over his pajamas and his boots on his bare feet. He was mostly asleep. He asked if there was a fire, and I said no, and he asked if it was a snow day, and I said not yet, and he said "Then this is crazy," and put his head on my shoulder in the truck and went back to sleep.

My mother lives on West Eighteenth, toward the east end, in the house I grew up in. She opened the door in her blue robe with the TV going behind her, some weatherman pointing at a map with a purple stripe across it. She looked at Owen and then at me, and didn't ask what I would have asked.

"Can he sleep here?"

"It's eleven-thirty at night, Eleanor."

"I know what time it is. Can he sleep here or not?"

She stepped back and let us in. I put him on the couch, and she got the afghan off the back of her chair and laid it over him without waking him up. She's always been good at that. I'm not.

"You look terrible," I said, because she did. Her face was puffy and she had her reading glasses pushed up in her hair and forgotten.

"I'm managing." She tucked the afghan under his feet. "Did you eat?"

"Mom."

"It's a question. There's ham." She straightened up with a hand on her back. "Where are you going?"

"Benny needs a hand with a pipe at the rink."

She looked at me over Owen. She's known me thirty-one years. She didn't say anything. I left.

\ \ \*

I went home first. I parked at my own curb with the engine running and the lights off, and I texted Benny: If I don't text you by two, call the cops.

It took him a minute. Then: Call them and say what?

Then: Okay.

At eleven forty-five a police cruiser came down West Twenty-Fourth at about ten miles an hour. It slowed in front of my half of the double, where every window was dark, and it sat there a second with its engine ticking over, and then it went on to the corner and turned. It didn't look at the truck. I was sitting in the truck. I could have waved.

The tire iron lives behind the seat with the jumper cables. I put it on the passenger side, on the floor, where I could reach it.

I drove to the Sunoco at Eighteenth and Cascade and bought a coffee I didn't want and sat in the lot with it. The deal was if it was still too hot to drink when the dashboard clock said twelve-thirty, I'd go home and go to bed and tell Kovach in the morning I'd been good. I held it in both hands with the lid off and the steam going up and fogging a round spot on the glass right in front of my face.

The kid behind the register was watching me through the window. He'd seen me sit down with it and not drink it, and I guess that's how robberies start. I lifted the cup at him so he'd know I was just a woman with a coffee. He went back to his phone.

Six blocks from here to my mother's front door. I know because I've driven it, and walked it, and one summer I made Owen walk it with me and count, and he got to six hundred and forty steps and said his legs were dead. I didn't tell him why we were counting. He thought it was a game.

At twenty past twelve I put it in the cup holder and pulled out. I went north up Cascade, past Fourteenth, past Twelfth, without looking, all the way to Eighth, and I turned around in a bank lot so I'd come down Cascade the right way. The way I came that night.

\ \ \*

It was snowing, but not like then. Then it had come sideways, the big wet flakes that stick to the windshield faster than the wipers can take them. This was the small dry kind, falling straight down, slow, so you could see every flake go through the streetlight.

The shelter is still there. They've replaced the glass with that scratched plastic, and somebody's put a sticker on it for a personal injury lawyer, but it's the same three walls and the same bench and the same streetlight on the pole at the corner. There's a fire hydrant on the near side of the cross street. I'd stopped next to it that night with the radio up, and I'd never once thought of that hydrant in twelve years, and when my headlights hit it I knew it like my own front step.

I stopped next to it. I left the engine running. Twelve-forty, the clock said.

He was there. He was standing at the end of the shelter, at the edge where the light from the pole gave out, so I could see he was a man and he was wearing a coat, and the snow was falling on his shoulders and not on his face. He didn't move when the headlights touched him. He didn't wave.

I rolled the window down. The cold came in.

"Can you see my face?" he called.

I looked. I leaned forward over the wheel and looked. There was a pale part where a face would be, and a dark part that was hair, or a hat, and the rest was coat.

"Take your time," he said.

"Can you see my face, Nell?"

"No," I said.

I had the tire iron in my hand and I was out of the truck. I don't remember opening the door. I remember my boot going into the slush at the curb up to the ankle, and the flashlight from the glove box in my other hand, and walking at him across the corner with both of them up, like I was going to light him and then hit him, in that order.

He didn't back up. He put his hands out of his pockets and held them at his sides with the fingers open so I could see them.

I put the flashlight in his face from about four feet away.

He shut his eyes against it but he didn't turn his head. Snow in his eyebrows. A scar through one of them I didn't remember, white and old. His mouth closed tight. And the back of my neck went cold, all at once, like somebody had dropped a handful of ice down my collar, and my mouth filled up with the taste of pennies, and my hand with the iron in it went so weak I almost let it go.

It was him. It was the face.

But I couldn't tell you which one. The man at the shelter with his hand on my sister's arm, or the man against the wall with the number four. I tried. I stood there in the snow with the light on him and tried to pull them apart, and they wouldn't come apart. They were the same feeling. They had been the same feeling for twelve years.

"You can put it down," he said, with his eyes still closed. "Or you can keep it. It is all right either way."

I kept it. I put the flashlight down a little, off his eyes, onto his chest. He opened them.

"You couldn't see my face from the truck," he said. "And tonight it is barely snowing."

"That's not the same."

"No," he said. "It was worse then."

"I stood where I thought he stood." He looked down at the curb and the slush around his boots like it might have changed. "I could be wrong by a few feet."

I shoved the flashlight in my pocket and took hold of the front of his coat. I didn't decide to. My hand was just in it, a fistful of cold canvas, and I pulled, and he came, one step and then another, out from the end of the shelter and in under the pole, until the streetlight was coming straight down on top of him and the snow was landing on his face and melting.

He let me do it. His hands stayed at his sides.

I let go of his coat and walked backwards away from him, into the shelter, until my back hit the plastic wall. Then I turned around and looked out the way she would have been looking. Up Cascade. At the hydrant. At my truck, sitting there with its headlights on and its wipers going and the engine running, and the cab lit up green from the dash, so bright I could see the coffee cup in the holder. You could see everything from in here. You could see who was driving. You could see her face, if she'd been making one.

I turned back around. He was standing in the light where I'd put him, with the snow coming down on him, and from in here I could see him fine. The scar in his eyebrow. The wet on his cheeks from the snow. Every bit of him. It didn't help one thing.

"What do you want?" I said. "What do you want from me? You want me to say I couldn't see? Fine. Tonight I couldn't see. Tonight it's dark and I'm thirty-one and I need glasses for the TV. Is that what you came for?"

"I want you to know what you knew," he said. "Not what somebody told you after."

"Nobody told me anything."

"All right."

"Nobody had to. I was here." I came out of the shelter at him, with the iron. "Weren't you? Here. You. That night."

He didn't answer that. He turned and looked south down Cascade, past the dark houses, and lifted one hand and pointed. Two blocks down, on the corner of Fourteenth, was a square brick building with a garage door, and the ghost of letters painted across the front where a sign had been taken down. WALT'S TIRE. You could still read it if you knew. Over the garage door was a single window with no light in it.

"That was my room," he said. "Walt had the shop under me. It is closed now. Walt had a stroke."

"Two blocks."

"Two blocks," he said.

"You lived two blocks from where she was standing. And you were in bed asleep."

"I told the jury I was asleep."

"Were you?"

He looked at me, then, straight at me, with the snow coming down between us. He has gray eyes, light, the color of the ice when the lights are off.

"You came here to see a face," he said. "Do you want to look again?"

"I want you to say it. Say you weren't here."

"I did not hurt your sister."

"That's not what I asked you."

"I know," he said.

A car went by on Twelfth with its radio going, and both of us watched it until it was gone.

He reached inside his coat. I brought the iron up, and he stopped, and then he went on slower, two fingers, and took out a piece of newspaper folded small. He unfolded it. It had been folded and unfolded so many times the creases were going white and soft, like an old dollar.

"Is it all right if I show you this?"

I put the light on it.

It was the picture from the Times-News, the one from December, for the rink's fiftieth birthday. I'd never seen it printed. I'd seen it on my phone once, small, when Lorraine sent it around, and I'd hated it and closed it. There I was up on Big Sue in my orange hat, squinting, with my mouth open like I was saying something, which I probably was. There was Benny beside the machine with his arms folded, looking at the camera like it owed him money. And behind us the lobby, the glass and the pretzel sign and people at the counter, blurred, the way the back of a picture always is.

Under it, the caption. Glenwood rink staff Nell Dorsey and Benny Kalinowski get the ice ready for a fiftieth season.

He put his finger on the picture. He held it there a second, on the paper, and then he took it back and put the hand in his pocket.

"They had it at the library at Albion," he said. "I was not supposed to cut it out."

"So that's how. That's how you found me."

"Yes."

"In the paper. At my job."

"I am sorry it was there," he said.

"You should be. It's my job. It's the one place." I didn't finish it. I didn't know what the one place was. I folded the paper back up along its old creases, wrong, and held it out, and he took it and folded it again right.

"I need one afternoon," he said. "Not in the paper or on the phone. I need to show you, and I need you to see it with your own eyes, because nobody is going to take my word for anything ever again. They are not wrong to."

"Show me what?"

"Not tonight."

"You said you know who did it."

"I said that," he said. "Go home, Nell. Your mother has your boy, and it is late."

I hadn't told him that. I stood there with my mouth open and the snow going down my collar. He'd been at my house tonight. He could have been anywhere.

He didn't wait for me to say anything. He turned and walked away down Twelfth toward Peach, not fast, with his hands in his coat, through the streetlight and out the other side of it, and for the three steps he was in it I could see the back of his head and the snow on his shoulders very clearly, and then I couldn't.

I stood on the corner by myself. The shelter, the bench, the lawyer sticker, the pole. A plow went by on Cascade with its yellow light going around and threw a wave of slush up over the curb at my boots, and the driver lifted two fingers off the wheel at me like it was normal to be standing there at one in the morning with a tire iron. I lifted two back.

\ \ \*

I got back in the truck. I put the tire iron on the floor and the flashlight on the seat and my hands under my thighs to stop them, and I sat there with the heater roaring until the windshield cleared.

I texted Benny: Home. Fine.

He wrote back right away, like he'd been sitting up with the phone in his hand. You're not home.

I put the truck in drive. I pulled out from the hydrant and swung across Cascade to turn around, and my headlights went over the curb on the far side, over a row of parked cars with snow on their roofs, over a green pickup at the end of the row.

Somebody was sitting in it. The engine was off and the lights were off, and the windshield was clear, like somebody had been wiping it with a sleeve.

It was Lou. His face was turned down Twelfth, the way Garrett had walked. He didn't look at my headlights. He didn't look at me.

End of chapter 3